What Light Can Do Essays on Art Imagination and the Natural World

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Every bit for the artists I knew, I found something to larn at every turn. Edward Taylor, Wallace Stevens, Mary Austin, Chekhov, Kant, Ginsburg, Louise Gluck, Cormac McCarthy, and Robinson Jeffers, are just to name a few. Reading What Calorie-free Can Do forced me back to my volume shelves (again and over again) to savour anew words I'd already read once but needed to read again.
All of the material in this book is a celebration of artistry and the human spirit. Hass'south sensibility, sensitivity, and wide range of cognition is apparent on each folio.
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Every bit yous would wait, many of these essays care for on poetry and poets-- Wallace Stevens, Allen Ginsberg, Ernesto Cardenal, Robinson Jeffers, Ko Un, Czeslaw Milosz, Walt Whitman, etc. But just as many have to exercise with prose writers-- Cormac McCarthy, Maxine Hong Kingston, Mary Austin, Jack London, and
Robert Hass, professor and lecturer at Cal-Berkeley, is the kind of guy I could sit and mind to forever, if his essays are whatever indication. He puts the "well" in "-read" (by that I mean he'southward "deep").Equally you would look, many of these essays care for on poesy and poets-- Wallace Stevens, Allen Ginsberg, Ernesto Cardenal, Robinson Jeffers, Ko Un, Czeslaw Milosz, Walt Whitman, etc. Only just equally many have to do with prose writers-- Cormac McCarthy, Maxine Hong Kingston, Mary Austin, Jack London, and Anton Chekhov, to name a few.
Hass's is an erudite yet avuncular style. His literary acumen is highbrow, merely he speaks the language of middlebrows. Thus, the likes of me are able to follow forth. Information technology's a "dip" type of book. Information technology rides shotgun every bit y'all are reading a novel, say, and when you're in the mood to learn more about, for instance, Chinese or Korean poetry, or possibly California writers, or perhaps literature and war or literature and rivers or mayhap literature and spirituality/organized religion, you open What Light Tin Do, dip in, and feel elucidated for your troubles.
Movement over, MOOCS. Robert Hass's essays see your on-line courses and heighten them to the warm comforts of a 476-page book that's like a companion y'all tin trust and have your time listening to.
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In a week when Sharon Olds won the TS Eliot prize for poesy I re-read an essay sub-titled 'Poor Monkeys and the White Business in the
I've always loved the poetry of Robert Hass, (I have his Apple Trees at Olema) though I had never read whatsoever of his essays. Now, this is quickly becoming ane of my favourite books - on Kindle - and I'chiliad buying a hard copy to read and re-read and underline and scribble in the margins - it's that kind of book. What he says, and the way he says information technology, makes it a must-read.In a calendar week when Sharon Olds won the TS Eliot prize for poetry I re-read an essay sub-titled 'Poor Monkeys and the White Business organisation in the Copse'. It'southward a thoughtful discussion of autobiographical poetry about families. Hass points out that it was a new bailiwick when Robert Lowell published 'Life Studies' in 1959. 'It is a fact,' Hass observes, 'that [you] can acquire nothing most the aunts or the grandmothers of John Donne, Thomas Traherne, Anne Finch, Alexander Pope... John Keats, Emily Dickinson or Robert Browning' from their poesy. He also feels that it may exist a particularly American miracle. 'American poetry is total of aunts and grandmothers, but French poetry isn't, or Serbian poesy or Arabic or Brazilian or for that thing, English language verse'. Robert Hass takes u.s. through some theories of Why this might be, which I found fascinating.
One of the essays is a deliberation on state of war - particularly the Republic of iraq war. 'How did this happen?' Hass asks. 'And why are ordinary Americans not beingness driven crazy by it?' The answer he supplies is 'fear, acrimony and ignorance'. How could ordinary people be expected to know that 'bombing Saddam Hussein because of a terrorist act perpetrated by Saudi Arabian Wahhabi Muslim terrorists would seem to the people in the Center E an human activity of pure assailment against all Islamic cultures by a ability that could non distinguish among them.' But government and the educated media should have been able to and Hass castigates them for their failure to do and so, accusing them of 'morally culpable ignorance'. He states that 'The moral and intellectual failure of American journalists and of political and policy intellectuals was scenic'.
There are several 'major' essays in the book; one of them on 'Chekhov's Anger', which told me quite a lot I didn't know about the author'due south life besides every bit providing an illuminating assay of the work. Chekhov apparently began his career writing for comic newspapers and magazines in 19th century Russian federation - the same kind of 'penny dreadfuls' that Herbert Allingham wrote for in Britain. Chekhov's grandfather had been a serf who had bought his liberty and become a bailiff - the classic case of poacher turning gamekeeper. Chekhov's begetter was a small shop-keeper who went bankrupt when he was only sixteen and the family moved to Moscow. Chekhov began publishing stories, sketches and jokes to pay his way through a medical degree. Soon he was keeping the whole family.
Robert Hass is very good on these early mass-market place stories which were the 'equivalent of newspaper cartoons'. it taught Chekhov a lot about writing - especially economic system. This is Chekhov writing to Gorky - 'cross out as many adjectives and adverbs as you like. You have so many modifiers that the reader has trouble understanding and gets worn out'.
Hass points out that these early commercial stories accept the same structure as the afterwards stories that Chekhov is famous for. 'They depend on a surprise ending, usually, though not e'er on dramatic reversal, and the surprise in in i way or another wounding . . . The gasp that the story evokes, the little cry of surprise and discovery, comes out not just considering the ending surprises, but because information technology fits'. The stories are as well witty and it is 'the terrible presence of wit' that takes the stories from desolation into tragedy. Chekhov knew what he was doing in his fiction and his drama. 'I finish every human activity as I do my stories; I keep the action calm and tranquillity till the end, then I punch the audience in the face.'
Chekhov'south anger came from the tearing handling meted out by his father, which he couldn't forgive, too every bit the social injustice he witnessed in a Russia building up to civil war. Acrimony, Hass observes, can be 'the wellspring of art'. Information technology reminds me of Katherine Mansfield, who said that one of the 'boot offs' for her was a 'cry against corruption'. Anger motivated many of her stories, and Chekhov was ane of her large influences. She too, wrote but short stories, never a novel.
In that location are other wonderful essays in this book - 'Howl at L' takes some other await at Ginsberg 50 years on and compares the manner of it to passages from the Waste Land (I'd never fabricated the connection with Eliot before, but it's so obvious I now experience stupid!). He describes Howl as 'a kind of exploded, hallucinatory autobiography'. He talks nearly the genesis of Moloch and observes that 'Moloch has still got concord of a good chunk of the American soul'.
I likewise loved 'Imagining the Earth' - his essays on eco-poetry and literature, and one on 'Education Poetry' which I can't fifty-fifty begin to precis. It touches on the oral nature of poetry on the page - poetry is 'a kind of spoken communication that'south meant to be said past others'. In other essays he explores the connections betwixt poetry and the natural world. He is pessimistic nigh our generation'due south aegis of the planet. 'What a depleted world our students are inheriting'. Will they be able to relieve it? 'The task may be beyond u.s..' But 'Nosotros have to human activity as if we can attain information technology, every bit if nosotros can preserve that richness and diversity. We have to act every bit if the soul gets to choose.'
I'd recommend this volume to anyone who loves literature - it'south a bang-up companion volume to Robert Hass's collected poems as well. Thoughtful, profound, outspoken - the writings of a compassionate individual who is also a great poet.
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Poet, philosopher, acute observer of the unseen, Hass is the type of writer I long to detect in my reading. What a gift.
These essays are brilliant. Literature, photography, verse, the natural world come up alive in a totally refreshing and nuanced articulation. My reading list doubled as I read about authors and playwrights that I now considered in a wholly different low-cal.
What the light tin do, indeed!


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I was having a really good time with this when the library reclaimed it. Will come back to it at some indicate.
Side-note: This book is a writer I don't know writing virtually other writers I don't know; it ought
"They were trying to invent in linguistic communication, trying to say what life was like for them, to bear witness to it, to sing, to find fresh ways of embodying the experiences of thinking and feeling and living among others, to make new and surprising kinds of verbal artifacts."-----------------------------
I was having a really good time with this when the library reclaimed it. Will come back to it at some betoken.
Side-note: This volume is a author I don't know writing about other writers I don't know; information technology ought to be impossible. But a) Hass is very proficient, obviously, and b) How to Talk About Books You Oasis't Read has basically given me superpowers. <three
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This book was reviewed in the May 2013 issue of World Literature Today. Read the total review by visiting our site: http://bit.ly/18
"The nouns in the subtitle of Robert Hass's new book are abstract enough to encompass the wide variety of its topics, just they barely propose the range of allusion, the depth of some of the readings, the consistent eloquence and piece of cake conviction of the way, and the writer's ability to blend personal and critical viewpoints." - Robert Murray Davis, University of OklahomaThis book was reviewed in the May 2013 outcome of World Literature Today. Read the full review by visiting our site: http://scrap.ly/18JxneR
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The iii stars are not for the quality of the volume, but more a reflection of whether the book was a skilful fit for me, which it actually wasn't. Like wearing a size 7 shoe, but putting on a ten. :)
This was obviously meant for someone passionate about verse and artistic/literary criticism, neither of which is me. The writer is obviously bright, but since I don't share his passion for poetic criticism, information technology kind of left me in the dust.The three stars are not for the quality of the book, simply more a reflection of whether the book was a expert fit for me, which information technology really wasn't. Like wearing a size vii shoe, but putting on a ten. :)
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A drove of talks and essays of uneven finish, some of whose provenance is frustratingly unidentified. At his best Hass writes with a sharp clarity, a humble profundity and a broad curiosity – often in the same sentence. Likewise as beingness usefully introduced to unfamiliar vistas, I found myself surprisingly often (and frequently surprisingly) moved to reflection.









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